Starting out her career manipulating wire structures and observing ways they interpret the space they’re within, Ruth Asawa was ahead of her time. Interestingly enough, the abstract figures that can be made from “croqueting” the wires was brought about by observing villagers making wire baskets in Mexico. Who knew?
As much as an activist as an artist, Asawa’s childhood weighed heavily on her works. The daughter of Japanese parents, Asawa was privy to discrimination due to her heritage and spent years at an Arkansas internment camp. From there, she went on to receive a scholarship to Black Mountain College, an “experimental” liberal arts college in North Carolina. Marrying Albert Lanier, the couple moved to San Francisco where they hope to live in a community “open” to the interracial couple. It’s here that Asawa’s work began to become recognized. In a field dominated by men, Asawa soon became the first Asian-American woman to receive acclaim in this discipline.
An activist also, one of things Asawa leaves us with is the “Garden of Remembrance” in San Francisco. The idea was to provide recognition to all the Japanese who spent time in countless internment camps along the west coast. Boulders from each of the 10 internment camps are present in the garden, along with some of Asawa’s large-scale installations.